There are 25 sets of on show in the exhibition, including 10 groups of handcraft pendant ornament and 10 sets of accessories. The exhibition form is mainly static——clothing worn on human body model, hung on the wall and placed on the stall. Besides, the theme contents of the exhibition follows:

 From the professional art design point of view, the research of this subject makes use of the archaeology history research results, utilizes the special language and methods of fashion art design to study traditional costume movements. We have tried many different ways in the exhibition works: hand painted recording traditional costumes, reducing design costume practice, collecting costume folk styles on-the-spot and fashion design application etc. We hope to share our research results with everyone through the exhibition, so that we can do some humble efforts for the dissemination and inheritance of Chinese traditional clothing culture. The exhibition aims to protect, inherit and promote traditional costume culture. These works are produced from the perspectives of researching, surveying and design practice. 

本课题的研究是从服装艺术设计专业角度出发，采用考古学等史学研究所取得的成果，利用服装艺术设计专业的语言和方法研究传统服饰的变化轨迹。本次展览的作品中，我们做了不同的尝试：手绘记录传统服饰、设计还原服装实践、服饰实地采风、服饰设计应用等，这个展览将为观众带来丰富多彩的视觉作品。

由廣州美術學院任夷服飾設計工作室研究，本課題是從服裝藝術設計專業角度出發，採用考古學等史學研究所取得的成果，利用服裝藝術設計專業的語言和方法研究傳統服飾的變化軌跡。是次展覽的作品中，他們做了不同的嘗試：手繪記錄傳統服飾、設計還原服裝實踐、服飾實地采風、服飾設計應用等，這個展覽將為觀眾帶來豐富多彩的視覺作品。是次展覽我們本著對傳統服飾文化保護、傳承、推廣的宗旨，從研究、考察與藝術設計還原的角度出發，製作了這些作品。